Categories
Doktor Movies

“Sins of the Father” – My FIRST Short Horror Film now live on YouTube

“Sins of the Father,” my short horror film about an unintended victim of corporal punishment, is available for your viewing pleasure at YouTube and at the link below.

Why did I make a movie when I’ve got such an soft reviewing job being the Guy who Hates Everything? Couple reasons:

I’m a tech at an alternative high school and one of the true joys I’ve had this fall has been providing hands on technical support for a film-making class. There’s a certified teacher who’s really in charge, but I’ve had the opportunity to do all sorts of magic and mischief. I’ve shown folks how to do storyboards by writing a tale about a lonely inter-galactic dragon; I’ve had a chance to portray an enthusiastic Frenchman and I’ve helped students use green screens to visit Paris and clone themselves. This Christmas break, I decided to treat myself and make my OWN short film.

And the second reason is because Bloody Cuts UK is sponsoring a contest for 3-minute horror films with some KILLER prizes, namely the “Bloody Cuts Who’s There Film Challenge.” I’ve blogged about Bloody Cuts before — in particular reference to “Suckablood” — since I’m rather a fan of short horror films. The panel of judges they’ve assembled is first rate including Drew Daywalt (whose work I gave a shout-out to in my review of the Three Corpse Circus) the Soska Sisters (makers of “American Mary”), some new-comer named Joe Dante and others… but I gave a real fan-boy squee when I heard Ryan Connolly was involved. His “Film Riot” video podcast gives great practical advice about film-making while being entertaining as heck. I’d show it in class… but it’s not boring enough for school.

I’ve watched some of the other entries and frankly, I don’t stand a chance. If you’ve got a few spare HOURS to kill, do a search for “Who’s There Film Challenge” on YouTube. There have been over 50 entries made just today! And the glory of watching them, like watching a festival of short films like Three Corpse Circus, is that even if one entry isn’t your cup of tea, you only have to wait three minutes for another one.

I will likely produce a “Making Of…” video this week where I provide a list of all the mistakes I made along the way, but right now, I feel great to have something I can share.

Categories
"What We Fear" Doktor Fears & Phobias

Life Lessons from an Active Shooter Training

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I am not the bad-ass in life that I am in my dreams but today, I learned that I’m not very bad-ass even in make-believe. I “survived” a two-hour scenario-based training session designed to model responses to an active shooter in my workplace. It was not at all what I expected and in particular, my responses were not what I expected.

I thought there’d be little new for me. Heck, I’m a horror writer, who has researched mass shootings for my writing. I’m a gamer who has played my share of “First Person Shooter” style games. I have fired a variety of hand guns during my life from flintlock to nine millimeter. Ho-hum. Come to find out, however, I have not really been shot at.

The training started, as all training does these days, with a slide presentation. It was boring and factual and though it presented horrifying information, numbers can induce only a limited amount of shock. There were technical difficulties, but when the closing video finally did play, my heart began to beat in a different way. I’ve seen surveillance footage of school shootings, listened to numerous 911 calls but somehow this was different. I was being encouraged to actively imagine myself in this context, to learn from what was happening. The presentation took so long that I thought, maybe, there wouldn’t be enough time to run the scenarios, that we’d be let go chastised with a bit of book-learning. I was wrong. There was plenty of time. Many of the worst shooting incidents in history were over in 8 minutes.

We broke into groups, roughly the same number of students in an average class, and filed into classrooms. There were to be three scenarios where we were to model three different techniques: lockdown, barricade, confrontation. We waited until we heard the shots to start our reactions. The shot sounded fake, too high, lacking the presence of the rounds I’ve fired on a shooting range. If I didn’t know what to expect, it would have been extremely easy for me to dismiss it as something innocuous. I dove beneath a table, knowing we were sitting targets if the shooter came in our room. Then someone noticed an attached office. We regrouped into this smaller space, blocked the plate glass windows as best we could. The shooter entered and fired, describing the people he could see, naming his victims. I cowered behind a filing cabinet, out of sight I hoped.

The second scenario we were to barricade the doors. These doors had no internal locks, but the lever-action door handles meant that we could wedge a chair leg in such a way that kept it from opening. That was the idea at least. Our wedge slowed down our shooter for an instant but he still got in. We’d piled flimsy desks in front of the opening too, but since the door opened outward, they simply toppled out into the hall. When the gun shots started, some of us retreated to the back office to a secondary barricade back there. When this scenario ended, my back was pressed against a short cinderblock wall. It was difficult to coax my body to move.

After this second scenario, I began to realize I was no bad-ass. I could not feel my fingers on either hand, my lips were numb, I could see my pulse throbbing in my vision. I felt fundamentally weak in my upper torso, just above my solar plexus. I thought “Do they have many casualties during these trainings, old fat guys like me who keel over with heart-attacks?” Part of what I was feeling was dread though. In the first two scenarios I had not actually seen the shooter. I hid. The final scenario was to role-play confronting the shooter. I knew that in a couple minutes, I was likely going to be shot.

I mean of course “shot.” The shooter was a well-trained professional, skilled in the use of blanks. Still there was the scent of a discharged weapon in the air, that dry spicy smell, something like burning leather. It seemed so wrong, so out of place to smell gunfire in a classroom. The shooter entered. He fired. We began throwing things at him to distract him. We’d been equipped with foam balls to represent objects we could throw (water bottles, a stapler), but it didn’t take long to run out of easy distractions. He kept shooting. In the end, the most effective thing I did during the entire training was to toss a stack of index cards. They fluttered through the air in all directions, buying someone a couple more seconds of life. Then the shooter aimed and shot me. Dead.

And it was over. The scenarios had taken roughly 15 minutes. The survivors and the slain helped re-arrange the classroom. We’d broken three of the desks. The trainers warned us that sometimes the people portraying shooters are actually wounded by over-zealous participants in the confrontation phase. I had made a mental note, don’t be too rough on him since I still thought I’d be a bad-ass. The closest I ever got to the shooter was after everything was done, when I went up to shake his hand, to thank him for the valuable lessons I’d learned.

“Is it hard?” I asked him, “to play the shooter?”

He smiled, “Not really. I don’t cuss in everyday life, though.”

Maybe we were all role-playing, pretending to be someone other than who were really are. Maybe really, deep down, I am a bad-ass and I’d be a hero if the moment came. After today’s training, I hope I never, ever have to find out. But I did learn that it doesn’t take much to make a difference. A few seconds of delay, a bit of distraction, a frustrated entrance, an obscured shot. The scenarios –like the real-life incidents they model– were over before we knew it. Moral of the story: stay alive, keep responsive and keep looking for options, do whatever you can.

That’s probably good advice even for days when you don’t encounter an active shooter.

Categories
Doktor Food

Skull Cake Pan from Williams-Sonoma

skullpanNote the evident glee of this shopper. Is it caused by finding a cake pan SHAPED LIKE A FREAKING SKULL or because this pan was marked down to roughly a quarter of its pre-Hallowe’en price? It even looks cool as a wall hanging, the pan stabilizer emerging from its forehead like a metal spike. I found this treasure at Williams-Sonoma at The Mall but don’t bother looking because I already bought the last one!

Guess I know what I’ll be bringing to the GLAHW’s annual Crappy Christmas Horror Movie Party… Anyone up for an angel food skull with raspberry glaze, perhaps? Have to do something to top the Pinhead Cheese Ball and Mummy Fingers we brought last year.

Categories
Doktor Food

“Zombie Blast” Energy Drink

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“I’ll sleep when I’m dead” is a common enough refrain among college students, web coders and maniacally-geeked Black Friday shoppers. If sleep is not an option and you’re feeling a little “undead,” you might consider this zombie-influenced energy drink, “Zombie Blast Energy Shot.” One appeared in the goody-bag from last weekend’s Indie Horror.TV anniversary party, and after momentarily trying to find a shotgun large enough to load it into, I realized that these cleverly packaged shotgun shells were precisely the thing I’d need to give me the quick energy I needed to…

… OK so I don’t know exactly what I need a five hour burst of energy for, to be honest. I suspect I’m not the target market for this product. The closest thing to an energy drink I’ve ever taken were the caffeine pills I took back when Reagan was in the White House. And I simply despise zombies both as a metaphor and a cultural product. But darned it, despite being a grouchy, undead-hating curmudgeon, I gotta say the packaging was pretty damned cool.

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Our “Testing:” As one would expect from a shotgun shell, these are “shots,” quite a liberal dose too as shown here filling up two skull shaped shot glass (Your Skulls May Vary) Elsa wasn’t able to down hers so I took a double-barrel and drank the entire container. I can’t provide a nuanced taste test — are you even supposed to “taste” this stuff? There was a definite berry-like sensation as fitting for a self-proclaimed “Wild Berry” product. I can’t imagine sipping it and I really can’t imagine that mixing it with vodka would accomplish much more than prolong the somewhat artificial flavor. I bet no actual berries were harmed in the making of this product. However, I am noticing a pronounced “zip” in my activities this afternoon which normally on a Saturday afternoon would prominently feature a nap. Though I have no external verification, I find myself 37% more witty, 52% more handsome and pretty darned near 83% positive in mood. So far, no blurred vision, heart palpitations or spontaneous amputations.

Maybe I’ll save the other cartridge for the final hours before my next big writing deadline… or the zombie apocalypse, whichever comes first.

Zombie Blast Energy Shots are available through ThinkGeek, that purveyor of all things good and beautiful.

Categories
Doktor Movies

Winner of First Annual “Impy” for Short Form Cinematic Horror: “Other”

gallery_promotionalmaterial_thumbnail_01Let the joyous news be spread: “Other” by Daniel Delpurgatorio takes home the first annual “Impy,” the DailyNightmare prize for Midwest Snob Horror selected from short films screened at Three Corpse Circus. The 9″ award statue and CASH prize are on their way to the director in loving appreciation of this gem. Competition was stiff and we’ll laud other entries in coming days but for the moment, let all the glory rest on “Other.”

How do we love “Other?” Let us count the ways:

“Other” probes the under-expoited subgenre of body horror, with themes made particularly relevant by current health care debates in the US. A maverick doctor, Patrick, is struck with a terminal condition which provokes radical and risky procedures for self-medication with unintended consequences. “Other” weighs in a just 15 minutes long but we wouldn’t have wished it a moment longer. The piece recalls favorable memories of Cronenberg, especially The Fly and Aronofsky, especially Pi.

The mood of “Other” is controlled and consistent featuring an ambience that felt cramped, echoing the death sentence inflicted by the illness, and cluttered with the bizarre medical equipment that Patrick has desperately cobbled together. We at the Dailynightmare are not generally fans of voice-over but the technique works to great effect here, especially with the touch of irony that the doctor’s comments are recorded on cassette tape. The sound work is also impressive ranging from jarring to nearly uplifting as the true consequences of the experiment are understood. Though the Impy goes to the director — yes, yes, we’re mired in 20th C auteurist presuppositions over here, get over it — but “Other” features actual honest-to-goodness acting by David Steiger. The appearance of, y’know, real dramatic portrayal of character is rare enough in horror films, but it is double-plus wonderful to find in a single actor screenplay. Steiger as Patrick is by turns desperate, exhultant, smug, tortured and deranged, and all he has to react against is some cleverly blinking bits of set dressing and a glob of nauseously pulsing tumor. The prosthetics and make-up were, frankly revolting, but demonstrated an internal logic beyond the mere gross-out. As Patrick peers into a mirror in the closing moments, the wounds on his torso range from fresh and seeping to ones that have scarred over and have started to heal. Well-done… and yuck!

For its attention to detail, intriguing themes and, oh yeah, disgustingly thought-provoking premise, we at The DailyNightmare.com are extremely proud to award the very first Impy to “Other.”

Categories
"What We Fear" Bug du Jour Doktor Fiction

Bug du Jour: Battle Cricket

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“When King Abimelech made war on the Martians, he based his strategy on the one liability these swollen-headed aliens possessed: their intellects. Instead of attacking supply lines as he had with the round-bellied Venusians, he targeted their libraries. The royal geneticists bred armored crickets as shock troops, ravenous creatures hungry for book tape, binding glue and paper. These tiny soldiers quietly emptied the bibliotechs, left dry husks, while the smug Martian guards patrolled the city domes. When the battle finally came, the aliens had forgotten even how to work their laser pistols. Worse, they no longer knew what was worth protecting.”

© 2013 James Frederick Leach

Categories
Bug du Jour Doktor Food

Bug du Jour: Lemon Pepper Spider

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“The children squealed with delight to find the hairy Wolf Spider sunning itself on the barn door. They’d been ever so hungry all summer long and harvest seemed ever so far away. They trapped it under a milk pail and Momma pan fried it for dinner, seasoned with freshly cracked pepper and a squirt of citrus. She always knew how to make the most out of the simplest ingredients. Daddy, as head of family, feasted on the rich meaty abdomen and each of the children got two of the creature’s crunchy legs, a glorious repast. Momma, strangely enough, said she wasn’t hungry.”

© 2013 James Frederick Leach

Categories
"What We Fear" Bug du Jour Doktor Fiction

Bug du Jour: “Creepy Beetle”

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“Egmont woke from a dead sleep at the sound of a heavy thump. He bolted upright in bed. His ears hungry for sound detected just the normal night sounds of summer. Yet Egmont knew in his heart that something else lurked in the midnight. He quietly padded across the floor, switched on the flood lights, threw open the front door. A beetle the size of a dinner plate perched on the screen, hideous spots across its carapace, vicious pinchers eager for flesh worked open and closed. Egmont was overcome with emotion, but he stammered, “My Precious, you’ve finally come home!”

© 2013 James Frederick Leach

Categories
"What We Fear" Doktor Fears & Phobias

Bug du Jour: “Common Green Darner”

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Summer is the time for bugs — and bugs creep out a lot of people. I spotted this little fella on a recent walk and was struck by the coloration and the delicate structure of the wings. The InterWebs say it’s a Common Green Darner, a male, since, y’know, males tend to be the more ostentatious of the species.

Categories
Doktor Events Food

Sipping Absinthe on Bourbon Street

I avoided the Hurricanes, but I imbibed many tasty concoctions while in New Orleans last month. In what I swear is my final post about the World Horror Convention, please permit a brief boozy retrospective:

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• ABSINTHE •
I vividly recall the first time I tasted absinthe, prepared from an antique crystal water decanter–and poured into a SpongeBob paper cup. They’d run out of the matching glasses, dontcha know. Standing in a garage in Indianapolis at an after party for MoCon IV, I fell in love with the stuff. I’ve since had ice cream laced with absinthe at Theatre Bizarre and a lovely pour of Pacifique at my favorite cocktail bar, The Ravens Club. Its intense flavor paired nicely with the chicken liver butter and grilled croustilles, BTW.

So when in NOLA, I had to stop at the Old Absinthe House. Bourbon Street was crowded with what resembled a frat party run amok, when Elsa and I ducked into the rather sedate bar on the corner. Their absinthe menu listed a good half dozen varieties and I selected La Fee, a good French style.

The bartender showed me the bottle and proceeded through the highly theatrical Czech “Bohemian” style of preparing the drink. She arranged a sugar cube on a spoon propped on a glass and annointed the cube with absinthe. The alcohol-drenched sugar cube was ignited, its ghostly flames quite impressive in the low light of the Absinthe House. The point of this step, in addition to being cool as heck, is to lightly carmelize the sugar, something rather frowned upon by absinthe snobs. A quantity of ice water doused the flame and dissolved the sugar. It was a generous pour, nearly staggeringly large, but I enjoyed every swallow.

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• GIN •
Having laid down a solid base with that killer dose of absinthe, Elsa and strolled down Rue Bourbon, lost amid the beer-sodden zombies and general debauchery, until we spied fellow horror writer David Hayes, author of Cannibal Fat Camp and his crew. He insisted that we follow his entourage to The Dungeon (also known as Ye Olde Original Dungeon.) We don’t get many opportunities to hobknob with the Spatter-Satire Elite, so we eagerly tagged along.

Down a narrow corridor and through a thick door, The Dungeon turned out to be –well d’uh– a metal and light BDSM-themed bar where drinks were quite reasonably priced. On the dance floor, black light made my gin-tonic glow so strongly that Marc Ciccarone of Blood-Bound Books asked what I was drinking. “Embalming Fluid,” I quipped. Poor Marc took me at my word and asked at the bar for Embalming Fluid. Instead of a cool, glowing drink, he just got a blank stare. Unperturbed, Marc rocked out to the metal.
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• BEER •
Elsa and I slipped away from the convention another night, long enough for dinner at the Crescent City Brew House, I gather the city’s only brew pub.

It’s a minor miracle as far as I’m concerned that there are ANY brewpubs in a region where the tap water comes out warmer than my morning coffee. How the heck do they make Pilsener down there? All of the beer I sampled was first rate and the food was great too. Here Elsa poses with a Seafood Cheesecake appetizer.

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• VIEUX CARRE •
Our last afternoon in NOLA, Elsa and I stepped out from the bustle of departing horror writers who crowded the lobby of Hotel Monteleone and into the relaxed elegance of the Carousel bar. The bar, you dig, slowly spins. In those precious final moments in the Crescent City, I sipped a Vierre Carre in the same environs as Truman Capote, Walker Percy and William Faulkner. A perfect end to a perfect trip.

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Categories
Doktor Events Other Haunts

Dead Residents of New Orleans

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Elsa and I could squeeze in only a bit of sight-seeing given the tight programming schedule of World Horror Convention / Bram Stoker Award Weekend. The sight we saw? New Orleans Cemetery #1, of course. We weren’t the only horror writers on the tour. In fact, the tour guide — Jennifer from Haunted History Tours — was the childhood friend of John Palisano who also roamed the houses of the dead. Jennifer gave us quite the tour, hitting the high points of New Orleans’ architecture, history, voodou and, obviously, burial practices. Jennifer’s talk reminded me that how we treat death is an important part of life.
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The cemetery itself felt like a subdivision for dead people, as fitting a “necropolis.” The white surrounding walls established a gated-community, if you will, and inside there were streets, single-family dwellings, yard fences, high rises and even urban renewal– I gather several of the older residents were, ahem, displaced to make room for Nicolas Cage’s spiffy new burial pyramid.

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Some of the dead residents are still vital members of the New Orleans community. Marie Laveau’s resting place, among others, is covered with mementos and XXX’s made by those seeking the assistance of such puissant departed. This voudou practice reminds me of the Catholic petitioning the saints to pray for intercession– saints who are by definition, dead.

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One way in which life mingles unpleasantly with death is in cases of premature burial. Jennifer was a treasure of deliciously morbid details, like how death in these cases often came from starvation, not suffocation since the tombs were not air-tight. She pointed out the customized graves fitted quite literally with bells and whistles for the unfortunately interred to signal the living. These techniques frequently back-fired because decaying tendons contract and pull the “dead ringer.” When watchmen on the “graveyard shift” hastily dis-interred these corpses, they often found “evidence” of vampires: the receding flesh of unembalmed bodies made it appear that hair and nails continued to grow, shriveled lips made teeth more prominent and blood tended to well up in the bellies, suggesting a recent midnight snack. Jennifer’s specialized knowledge was exhaustive and wonderfully ghoulish.

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Grave markers themselves were subject to decay, resulting in wonderful rubble. Death dilapidated.
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Though I am as morbid as the next horror-fan, my favorite part of the cemetery were the plants that sprouted in the nooks. Let me stop just short of some trite observation about life abounding in the midst of death. What appealed to me primarily was the aesthetic contrast, the subtle greens against the brick red and stone white and the organic leaf shapes juxtaposed to the rectilinear ruins.

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Categories
Creepy Crafts Doktor Events

Robbed by a Pirate in New Orleans!

I was robbed by a pirate while I was in New Orleans this weekend for the Bram Stoker Award Weekend/ World Horror Convention.

I should explain.

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The World Horror Convention is a trade show, more or less, for folks involved with scary stories. Writers take meetings with their agents; writers pitch projects to editors; writers read for other writers. For most of the weekend, everyone is on their most professional behavior, looking all business-like and serious… with the exception of the Masquerade Party on Friday night. I need little excuse to dress oddly so it didn’t really matter that the prize for the best costume was a Kindle. I lie. When I learned of this prize, vowed to win it. The game was ON.

I developed a costume to express “Doktor Leech,” the personna I’ve adopted for my posts at DailyNightmare.com. I acquired a genuine Mad Scientist coat, technically a “Howie Coat” of black twill from Gentleman’s Emporium. On my hands, I wore my riding gauntlets from back in the day when I rode a Harley. My blast goggles were lovingly hand-machined by the folks at Got-steam.com.

But the bloody apron was the key to the whole costume.

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I work at a high school where one of the teachers runs an innovative science elective based around Forensic Science, sort of CSI-High. Students learn biology and chemistry and… well, they also learn a fair bit about decay and fingerprints and death. The crime scene dioramas they come up with would make your hair curl. I enlisted the demented enthusiasm of these juvenile bloodstain experts in making my costume.

I got four clean white aprons and divvied them between the two classes. This is the introduction I gave to my young assistants:

“This competition among the Forensics classes is to use your knowledge of blood spatters to create a gory apron for use in a Horror/Steampunk costume. The winning group will be awarded a pizza lunch and the aprons will be evaluated according to both their theatrical utility and their forensic accuracy.

The character I’m creating is a Victorian era “mad scientist” who dabbles in then-popular practices of magnetism, mesmerism and of course, vivisection. Victorian scientists were crazy about vivisection, the act of cutting open creatures while they were still alive to see how they worked. The stains on this apron likely come from such grisly experiments. A couple points come to mind that may influence your creations:

• Since the vivisection was performed on specimens that at least started out the procedure alive, the spatters should be consistent with that state;
• The Mad Doctor has likely been at this awhile so perhaps he started with smaller creatures and moved up to larger, more complicated ones. Humans? Probably.
• The tools used would likely be a surgically sharp scalpel but probably a bone saw as well. Punctures, cuts, hacking all would leave different kinds of marks on the apron;
• Bodies are filled with all sorts of fluids not just blood. Would any other juices have soaked into this apron?
• I suspect that this scientist has used the same apron for many experiments so consider if there is “old blood” in addition to fresh stains.;
• The scientist is probably working over an operating table which would likely influence what parts of the apron receive what kinds of stain;
• Remember this is a costume that I will have to wear around during a Masquerade Party. It wouldn’t hurt if it looked cool as all heck.

Make your choices. Do your best and be prepared to explain why you made the marks you did. I look forward to what you come up with.”

In the end, ALL the aprons were impressive so I bought pizza for both classes. I could only take one to New Orleans so I selected the one that had the most detail. On the apron I wore, the students used “blood,” tea and finger print powder in order to simulate the “other fluids” encountered during the Mad Doktor’s investigations. They also figured the Doktor might have gotten his fingers bloody and thus wiped them down the sides. These young Quincy’s also assured me that there were stains consistent with punctures and sawing and more processes than I cared to imagine. Most importantly, it looked cool as heck.

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Once I got to NOLA and WHC2013, I acted the part of a horror professional all day, then just in time for the masquerade competition, I transformed into the Doktor. In my opinion, there was no contest. A couple men wore t-shirts; a few women wore corsets. I was ready to win… until two guys walked in dressed head to toe as pirates in full regalia. They were simply jaw-dropping. I grinned and made the best of it, but I knew it was all over. I danced, I flirted — who knew that blood was sexy?– and I had a great time anyway.

Though I didn’t walk away with a Kindle, I did get a bit of a reputation. For the rest of the weekend, complete strangers referred to me as “that bloody guy.” And that was kind of a success.