I’d never heard of Kwaidan (1965) before I checked it out this week. The DVD is released on the Criterion Collection so I knew it had to be nutritional, if not down right crunchy. It’s a pretty darned interesting film especially if you think that Japanese horror started with Ringu.
Kwaidan however, is an anthology, consisting of four separate stories all directed by Masaki Kobayashi, and as such it suffers the drawbacks of most anthology films. That is, at best it’s like a mini-film festival of short films and at worst they’re a bunch of unrelated stuff strung together. Kwaidan is more unified than many anthology films but it does feel really rather long. One suggestion that might sound heretical to cinema-snobs would be to watch each story separately, say, before watching another movie.
But Kwaidan works as a whole piece as well. Speaking personally, the stylistic unity was most effective. There is a gloriously theatrical sense to the movie; that is, it feels like it was mostly shot on a sound stage, one filled with meticulously constructed sets and folks in great costumes. For me, this sense of an artificial frame bolstered the “once upon a time” quality of the ghost stories. It’s a really different sensation than watching a lot of contemporary horror films that feel almost like documentaries and I found it quite refreshing.
I can’t say that Kwaidan is exactly scary but then I don’t find ANY ghost stories scary so much as sentimental. Better to say that it’s creepy and has many very nice, arresting images – exactly what I’d expect from a horror film on the Criterion Collection.