Doktor Leech and Elsa L. can’t wait to open their latest 3-D portrait from Theatre Bizarre 2016 made by the Great Fredini of Scan-a-rama fame. This unboxing episode includes another two-person full body scan as well as a 3-D bust of the couple. Join them as they get their first peek at the figurines, reminisce about their Theatre Bizarre adventures, and plan future poses. What color will next year’s figures be?
See their 2015 video here.
Read about their figurines from 2014 here.
Check out the Dailynightmare.com YouTube channel for more unboxing videos.
by Ray Parker Jr (or should I say Huey Lewis… a lawsuit alleged that the melody is highly reminiscent of “I Need a New Drug” but frankly the bass line of BOTH songs sounds like “Pop Muzik” by M) If you can get the video to “I’m in Love with the Other Woman” see if you can project that somewhere because it features a haunted house. This track is so obvious that is has to go somewhere. Succumb.
by, heck hasn’t EVERY authentic country western group recorded a version of this classic? – If I had to pick one, I think The Highwaymen did a serviceable rendition. Consider using several different versions of this track on the playlist, as a refrain. The Cowboy Cultural Society, an internet radio station, often plays a half hour of “G.R.I.T.S.” with different versions.
” by Robyn Hitchcock off Fegmania. This is a subtle alternative/folks ballad about domestic troubles caused when a husband is torn between his current wife and his dead ex. Told with Hitchcock’s typical irony yet with heart of genuine emotion. A nicely sing-able chorus too.
by Concrete Blonde. A little more raucous alternative rock tune by the band that brought you “Joey.”
– Dwight Yoakam. Straight ahead country. Mournful tale of a love that lasts longer than life. 
— Bessie Smith. Do you really need a reason to put Bessie Smith on a playlist? She carved out a gutsy place for the female voice within blues of the early 20th century. A fun surprise from 1924.
– The Psychadelic Furs. Moody, haunting love song that makes you want to mousse up your hair and wear tight 80’s style pants. Does she love you? Is she dead? Who knows, but it’s all sadness and doom. The Counting Crows do a just-as-sad acoustic cover version of 
— My Chemical Romance. A sad song to be sure, especially with the repeated line “Never coming home.” Since music and music videos have become fused in our culture and in our minds, it’s hard to hear the song without thinking of scenes of soldiers getting one last dance at the USO before they head off to the trenches of WWII. 
— Kate Bush. Like a bit of literature mixed in with your art pop music? Kate Bush delivers a lovely concoction in this emotional song which went on to become her biggest selling single. Sung from the point of view of Catherine, who pleads outside Heathcliff’s room “I’m so cold. Let me into your window.” The lyrics take on a sinister twist if one considers the events of the novel; she may well be a ghost, inviting Heathcliff to join her in death.
–Tegan and Sara. A good song to dance to while trying to exorcise the ghost of a ex-boyfriend or the nightmare you had last evening. Covered by the White Stripes too.
— Norman Greenbaum. The tune combines psychedelic rock and gospel music with its distorted electric guitars, loud drums, tambourines and hand-clapping background singers to produce a feel-good song about meeting up with the Spirit in the afterlife. 
— Tanya Donelly. A sweet and sad song from the ghost’s point of view. She’s happy as she follows him around but seemingly has no impact on him. 
— Marc Cohn. Anthematic 1991 hit from singer-songwriter Marc Cohn. The guy in the lyrics follows the ghost of Elvis to the gates of Graceland and later rock outs with a gospel band.
by Warren Zevon off “Excitable Boy” or “Genius.” It’s the obvious track because everyone knows it and it’s clearly related to the theme. It’s got the same name at least as a classic werewolf movie, though as with all of Zevon’s tunes, he was likely referring to something else entirely. Give in. It’s got to go on the mix somewhere. At least the live version linked here has enough novelty and verve to remind us what made the song a classic in the first place.
by Creedence Clearwater Revival. This tune was linked forever to the werewolf mythos through “American Werewolf in London.” If you don’t want to be SO obvious about it, use the very servicable cover version of 
by Raspuntina. 
. Classic X, driving beat, tight harmonies that made it almost as much as folk as punk. Personified wolves.
by Los Lobos (get it? “the wolves”) A band from the other side of L.A. uses wolves as a metaphor for the difficulties of human life. Relatively profound lyrics and a catchy tune.
by Shakira off the album of the same name. A bouncy latino-pop track from that lady who, I swear, has an extra vertebra in her spine.
by the Grateful Dead. The studio version is on “Working Man’s Dead” and that rendition at least has relatively clear lyrics for those unfamiliar with the tune. A gabillion live recordings as well, most of them with a bit more verve and life. A jaunty rhythm and an odd, singable chorus “Don’t murder me.” the song tells tale of a card game with a 600 pound wolf.
by Steppenwolf. This has no explicit werewolf references, other than the “wolf” in the band’s name which is actually an artsy reference to a German novel. Blue Oyster Cult does a version and live they used to ride a motorcycle onstage. The idea of a biker gang of werewolves actually has been turned into a movie “Werewolves on Wheels (1971)”
by The Tragically Hip from their first EP Tragically Hip – The Hip are a solid act. Their lyrics are literate, their music is blues-y and raucous rock and their fan base is rabid– that is, if you’re from Canada. North of the border they’re more popular than the Beatles but in the U.S. hardly anyone has heard them. This track isn’t their best tune by far but heck, it fits on the list.
by Sam the Sham and the Pharoahs – I knew this song primarily through a version my brother in law would croon. Research it unearthed some fun details: http://en.wikipedia.org/wiki/Lil’_Red_Riding_Hood
by the Five Man Electric Band. Obscure track from the mid 1970’s that I think I can bet no one at the party will have heard. Tells the tale of a boy gone feral and his family’s attempts to cope. Using a gun.
by the Cramps. Heck, if you’re pressed for time, you could drop on a whole album of the Cramps. There’s a movie link of course to Michael Landon (Bonanza, Little House on the Prairie) in the title role.
” by Mike Oldfield, otherwise known as that creepy music from “
.” 
. Some of their work is a little hard to find but I stumbled across much of it on eMusic, that cool DRM-free download site or also discs can be got at Amazon. There are a couple nice collections CDs available on Amazon if not elsewhere, for instance “
” that I have linked below. Goblin’s music is also available from the iTunes music store so you can check out their weird, disturbing sounds before purchase. The advantage of prog-rock is that the track play on and on for hours it seems, just adding a layer of mood. 
” and Paul Williams likely belongs on this list too:
,” “
,” maybe even “
” or for some slightly edgier stuff, maybe “Cold Ethyl,” “
“… what other Alice just screams Halloween to you?
” – very trippy, a psychedelic masquerade with lurid colors, veils, bells, smoke, European style commedia masks… Weird appetizers on silver platters. Maybe a hooka, tassels, pillows, brocade.